Sublimating a Gauguin, letting Van Donghen breathe, composing Renoir, creating a space and proposing a scenography for a Biennale in the Grand Palais in Paris is always a challenge and a great satisfaction. 

For this 2017 edition we had to create small thematic chapels without enclosing the masterpieces. The impact of the first look and the subtlety of the openings in the path of the visitors are essential to alternate encounters and breathing times.